immersiva.it wrote:I don't really know why you don't WANT to understand what I mean.
It seems that you want only be unpleasant... lol
I made this question:
"I ask you, how many time you think you need to publish a project like this and with quality and problem solving you say?"
No, is not commercial. It's for timely informations about race and event
immersiva.it wrote:I don't really know why you don't WANT to understand what I mean.
It seems that you want only be unpleasant... lol
"I ask you, how many time you think you need to publish a project like this and with quality and problem solving you say?"
No, is not commercial. It's for timely informations about race and event
mediavets wrote:The difference is that Klaus doesn't shoot any projects for 'fun' as far as I know;
immersiva.it wrote:But you have not answered the my question and it appears you have not yet grasped the issue ...
Now i really need a reply to my question. "how many time you think you need to publish a project like this and with quality and problem solving you say?" and, for how many money? :-)
immersiva.it wrote:Now i really need a reply to my question. "how many time you think you need to publish a project like this and with quality and problem solving you say?" and, for how many money? :-)
immersiva.it wrote:This post starts with a request: how can I reduce filed of view of panos (for seeing only cars and not persons in the backside). Reply wasn't for my problem: speed I need.
immersiva.it wrote:But really, if someone have any suggestion for upgrade my quality and maintain similar speed i've only hears for these!
Like shoot 5/7/9 bracket photos, ND filters, megaphone to fear peopleand made they get away from my lens (for all 360° it's a little problematic you known? and also for 1 hour e along my tour....
) , shooting from a very high point with my tripod, etc etc.
Also critics I think are not costructive...
immersiva.it wrote:Yes, interesting multi camera.
immersiva.it wrote:first of all:
cars was always partially hidden by people. That's my only problem to solve.
RAW is not the solution.
immersiva.it wrote:first of all:
cars was always partially hidden by people. That's my only problem to solve.
RAW is not the solution.
klausesser wrote:immersiva.it wrote:first of all:
cars was always partially hidden by people. That's my only problem to solve.
RAW is not the solution.
Quite simple: do not fire the camera when people are moving between the camera and the car.
You will not find any automatic solving that problem for you . .
That´s what i meant suggesting to watch the scene and fire the camera the right moment.
This is far more convenient when you shoot ONE RAW shot instead of x shots bracketing.
Doing this all the time you can use ONE optimized setting in the RAW converter for all your shots in batch mode.
That is MUCH better than using different shooting strategies of mixing oneshot and mutishots. Processing THAT would cost you
MUCH time.
Klaus
immersiva.it wrote:If I must wait "the right moment" ... I only wait.. but I never take my photos.
immersiva.it wrote:Probably you never met people who walk always right to you and between your object to shot.
Sure that one shot does solves nothing. Sure
Have you seen how many (only they) photographers there were?
Boh... In my humble opinion I think that if you would shot panos in that atmosphere, you should leave your camera into the bag,
I don't known how I must write this, but "when play became hard, hard men start to play".. ah ah ah
immersiva.it wrote:"always SEARCH to solve problems"
immersiva.it wrote:This threah starts with a solution (making don't visible backside).
immersiva.it wrote:Then I don't see any solution of people always between camera and cars.
immersiva.it wrote:"many excellent panos in crowed places" .. yes. Sure. But I never seen yet solution of problem of "60 panos in 1 hour". Probably there isn't?
immersiva.it wrote:I think many shots for view of cars (not bracketing), shooted manually for best ( but partial) view.
It remain some problem for automated stich to avoid photoshop.
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