Jerware wrote:Thanks for the comments. It's interesting that you say the Gigapan product isn't suited to 360x180 panos, since I emailed them and they indicated it could shoot everything but the nadir. If you watch some videos of its menu functions, it even has a 360 degree option. What makes this a worse choice than another mount?y
Jerware wrote:We will primarily be taking photos of indoor office spaces.
We definitely don't need super high resolution. In fact, our final panos will probably be reduced to about 4096x2048.
We will look into your suggestion of the 15mm f2.8 fisheye -- I've never stitched fisheye photos, but I assume Autopano has no trouble with this...?
The staff will receive basic training, but we really won't have another chance to shoot these interiors if there is a problem with the photos. We need it done right the first time, which is why I'm in favor of automating the process.
I'll likely be stitching the photos, and I'm somewhat experienced with Autopano's control point editor.
The final product will be viewed on PCs using custom software.
Jerware wrote:Thanks for the comments. It's interesting that you say the Gigapan product isn't suited to 360x180 panos, since I emailed them and they indicated it could shoot everything but the nadir. If you watch some videos of its menu functions, it even has a 360 degree option. What makes this a worse choice than another mount?
We will primarily be taking photos of indoor office spaces. We definitely don't need super high resolution. In fact, our final panos will probably be reduced to about 4096x2048. We will look into your suggestion of the 15mm f2.8 fisheye -- I've never stitched fisheye photos, but I assume Autopano has no trouble with this...?
The staff will receive basic training, but we really won't have another chance to shoot these interiors if there is a problem with the photos. We need it done right the first time, which is why I'm in favor of automating the process.
I'll likely be stitching the photos, and I'm somewhat experienced with Autopano's control point editor. The final product will be viewed on PCs using custom software.
Jeremy
klausesser wrote:I strongly suggest to use a 15mm fisheye on the 5D2 and to use a manual head.Why? Because the base - it´s smaller with manual heads and you have less additional work on the Nadir.
Also i suggest a ring-mount for the fisheye
mediavets wrote:klausesser wrote:I strongly suggest to use a 15mm fisheye on the 5D2 and to use a manual head.Why? Because the base - it´s smaller with manual heads and you have less additional work on the Nadir.
Also i suggest a ring-mount for the fisheye
A ring mount with a fullframe fisheye for shooting 360x180 interior panos?
klausesser wrote:Yes - i tried it: great! Camera about 15° downwards tilted plus 1 Zenith shot. The Nadir is extremely small then. I used the NN R1.
mediavets wrote:klausesser wrote:Yes - i tried it: great! Camera about 15° downwards tilted plus 1 Zenith shot. The Nadir is extremely small then. I used the NN R1.
No problem stitching when the zenith shot is not taken with camera/lens at NPP when shooting indoors with the Nodal Ninja Ultimate R1?
klausesser wrote:Also i suggest a ring-mount for the fisheye like the Agnos for example:
http://www.agnos.com/prodotti.htm?v_lingua=ENG&v_iss_web=0000000011030514263602423350&v_categ_lista=P0000-P0005-P0505&v_cod_art_scheda=MROTATORF#ancorafotoprodbig
The base is very small and you´d have no problems to get a good Nadir.
klausesser wrote:Another way might be the VR Drive from Seitz without the L bracket: the base also is very small. If you set a fisheye in a ring-mount on it you also have a very wide angle vertical and horizontal.
If you mount the camera in a way it´s slanted you can use the full 180° the Canon 15mm provides diagonally:
http://www.agnos.com/prodotti.htm?v_lingua=ENG&v_iss_web=0000000011030514263602423350&v_categ_lista=P0000-P0005-P0503&v_cod_art_scheda=MROTATORCS
Jerware wrote:klausesser wrote:If you mount the camera in a way it´s slanted you can use the full 180° the Canon 15mm provides diagonally:
http://www.agnos.com/prodotti.htm?v_lingua=ENG&v_iss_web=0000000011030514263602423350&v_categ_lista=P0000-P0005-P0503&v_cod_art_scheda=MROTATORCS
Wow, this is a very intriguing option. The site says you can capture a full sphere in 3 shots using an 8mm lens. Is there really enough overlap to stitch a panorama with three shots?
Can you capture the full 180 vertical with the 15mm you mentioned only using a full frame sensor like the 5D Mark 2
How many shots would the 15mm require for the full sphere?
mediavets wrote:Conventionally you require a minimum of 8 shots to cover the full 360x180 pano FOV using a 15mm fisheye on a fullframe sensor.
Jerware wrote:For my purposes, would you recommend the NN3, NN5, or NNR1?
Also, where can I find sample images using a conventional method like the Nodal Ninja to try my hand at stitching fisheye panoramas (preferably both 15mm and 8mm examples, on cropped and full-frame sensors)? Something like the thumbs on this page, but full resolution.
klausesser wrote:Yep - this is the safest method. But mounting the camera tilted down a bit and using a head with a small footprint you can do fine without an extra Nadir shot. That´s what i usually do - that means 7 shots:
http://www.klausesser.de/360impressions/Eller/SchlossEllerTour.html
best, Klaus
Destiny wrote:I might send you an email later with some questions and advice...
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