Aperol wrote:hi
thanks destiny! a friend told me that fisheye 10.5 is better then 16mm for the quality of the lens... true? false?
Aperol wrote:hi
thanks destiny! a friend told me that fisheye 10.5 is better then 16mm for the quality of the lens... true? false?
Aperol wrote:hi
thanks destiny! a friend told me that fisheye 10.5 is better then 16mm for the quality of the lens... true? false?
Destiny wrote:and give Klaus a laugh.. He needs some humour in his life..
Destiny wrote:Personally, if I could afford it anddddd if fitted my D800, I would buy the Cannon Fisheye..
aaronpriest wrote:Well, I used to use 2 rows of 6 photos at 14mm (every 60° in rotation and pointed 40° up and 40° down), and 3 rows of 12 at 24mm (every 30° in rotation and pointed 55° up, 0° level, and 55° down) when I shot with a manual head. This gave me good results. Now I shoot with a Panoneed and use .xml files. I'm still playing with my overlap to figure out what solutions work best with that. I do a lot of spherical stitching with PTGui and it doesn't seem to like blending a straight up zenith shot as easily as a row of photos near the zenith if my overlap is set too high (40% for example), however if I'm shooting interiors at 14mm I need a pretty significant overlap to have an area to clone out lens flare from multiple light sources. Outdoors at 24mm seems to work a lot better with very little overlap, say 20%. Still experimenting and learning...
Destiny wrote:... so glad you did not mention 35 years of.. in the same breath as plenty of knowledge..
aaronpriest wrote:Well, I used to use 2 rows of 6 photos at 14mm (every 60° in rotation and pointed 40° up and 40° down), and 3 rows of 12 at 24mm (every 30° in rotation and pointed 55° up, 0° level, and 55° down) when I shot with a manual head. This gave me good results. Now I shoot with a Panoneed and use .xml files. I'm still playing with my overlap to figure out what solutions work best with that. I do a lot of spherical stitching with PTGui and it doesn't seem to like blending a straight up zenith shot as easily as a row of photos near the zenith if my overlap is set too high (40% for example), however if I'm shooting interiors at 14mm I need a pretty significant overlap to have an area to clone out lens flare from multiple light sources. Outdoors at 24mm seems to work a lot better with very little overlap, say 20%. Still experimenting and learning...
klausesser wrote:Destiny wrote:... so glad you did not mention 35 years of.. in the same breath as plenty of knowledge..:rolleyes:
Klaus
Aperol wrote:what about this lens: PC-E Nikkor 24mm f/3.5D ED ? it's possible to use this one in vr photos 360x180 ?
which is the best lens for a D4 in terms of quality of image?
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