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when importing RAW files the exposures are automatically adjusted which in turn affects my braketed shots.
How can I import raw without the exposure being adjusted?
or should I convert to tiff first?
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Look wrote:
when importing RAW files the exposures are automatically adjusted which in turn affects my braketed shots.
How can I import raw without the exposure being adjusted?
or should I convert to tiff first?
Hi!
1) don´t import RAW. Use a dedicated application to "develope" RAW.
2) deactivate automated colorcorrection in the presets. Use it if you need it - not by default.
btw.: personaly spoken - i suggest to handle bracketed shots also in a dedicated app before stitching . . ![]()
best, Klaus
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Yes, Look, I can confirm that there is a slight shift when importing raw directly. It is caused by dcraw and the solution is not simple.
The idea : when importing raw, if you disable the auto range in dcraw, all image are really dark. It seems that camera raws has a table with raw from every camera and with a hardcoded range estimation to rescale the histogram uniformly for a given camera. dcraw don't have that and we don't have that either. Hard to do without a huge database of raw for every camera possible.
So, for the moment, we do a small auto range that could affect the difference of exposure on raw. Note : with our color correction system, it does recalculate this scale, but I agree, it's not optimal.
It's tagged issue 836.
see related post here : http://www.kolor.com/forum/viewtopic.ph … 251#p87251
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Thanks!
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